Stay up to date with Pat Travers- http://www.pattravers.com

Learn more about Kevin Kastning- http://www.kevinkastning.com

For all things Frank Marino- http://www.mahoganyrush.com

500 Words on Steve Marriott

Although primarily known as a fine singer it’s easy to overlook the fact that Steve Marriott was no slouch on the guitar.

Steve Marriott is somewhat forgotten by modern audiences but Marriott was a key member in both the Small Faces with Ronnie Lane and Kenny Jones and later with Humble Pie.

During his time with Humble Pie Marriott shared guitar duties with Peter Frampton, Clem Cleptson (Colosseum, Jack Bruce, Roger Waters), Bobby Tench (Jeff Beck Group II, Van Morrison), and Charlie Huhn (Ted Nugent, Gary Moore, Foghat).

But before his life as a mod pop idol and rock ‘n’ roll road dog Steve Marriott played the “Artful Dodger” in a 1960 production of “Oliver!”

Marriot played a number of guitars throughout the years including a Gretsch 6120, a Telecaster with P-90 in the neck position, an Epiphone “Dwight” Coronet, several different Les Paul Juniors, Les Paul Custom and some 335s.

Even though Marriott appeared in advertisements for but Ibanez and Ovation it is questionable whether or not he actually put either of these into use.

Marriot’s first commercially successful band was the Small Faces that lasted from 1965 to 1969. The Small Faces straddled the line between pop, psychedelic, and r & b. During most of his tenure with the Small Faces Marriot was the only guitar player.

After the Small Faces disbanded in 1969 Marriot would later launch the first version of Humble Pie with Peter Frampton, Greg Ridley (Spooky Tooth), and Jerry Shirley (Fastway, Waysted).

Initially Humble Pie had a softer, almost folky sound to them but as time progressed and lineups changed Humble Pie gained a rougher blues rock sound especially with songs like “30Days in the Hole”, “I Don’t Need No Doctor” and “Hot ‘N’ Nasty”.

Marriott’s guitar sound was a lot of his vocals, robust, forceful, and a bit rough around the edges. Peter Frampton said that he had tendency to favor his neck pickup while playing through an array of Marshalls on the famous “Performance Rockin’ the Filmore” albums while Marriott tended to favor his bridge pickup.

Unfortunately Marriott’s story doesn’t end well. After decades of substance abuse and mental illness (schizophrenia) Marriott was killed in house fire after a night’s worth of drinking.

Steve Marriott’s guitar playing is sadly overlooked especially because he was the only guitarist for both the Small Faces and for several different lineups with Humble Pie.

Despite having some what of a twee beginning, Humble Pie would go on to sound like the snottier version of the Stones and even covered the Stones’ “Honky Tonk Women.”

Marriott’s legacy, however, can still be head in the echoes of such bands as Led Zeppelin, AC/DC, Guns N’ Roses, Mr. Big and Buckcherry. Humble Pie’s true legacy is that they laid down an irresistible mix of rock ‘n’ roll swagger, r & b roots, and soul flavorings that would be heard on the radio for decades to come.

From the very anticipated DVD concert we discuss in both parts of of conversation-

For more info on the soulful James Crouch go to- http://jamescrouchguitar.com

Check out James delivering the goods-

For more on all things Leslie West and the new release “Soundcheck” go to- http://www.mountainrockband.com/leslie-west.html

Here’s Leslie blasting through the classic “Goin Down” from the new release “Soundcheck”-

Let’s dip back to this amazing version of “Satisfaction”from Leslie when he was with the Vagrants(1966)-

500 Words Dean Guitars

How can you hate on Dean Guitars? To me Dean represents everything great about rock ‘n‘ roll because they are big, bold, dynamic and slightly idiotic (but I mean that in the nicest possible way).

Throughout it’s history Dean Guitars have made instruments for almost every major rock act during the last forty years including Dimebag Darrell, Michael Schenker, Kansas, Leslie West, The Cars, Heart, Doobie Brothers, Jefferson Starship, Dave Mason, Triumph, Iron Maiden, Sammy Hagar, Nils Lofgren and ZZ Top.

Founded in 1977 by Dean Zelinsky in Chicago Dean Guitars was on the forefront of the handmade electric guitar revival during the 1970’s.

In my opinion Dean Guitars are criminally overlooked and I think that’s partly because they stood out like a giant middle finger in a way that Hamer or PRS never did. Take a look at some of Zelinsky’s original designs like the ML or the Cadillac there isn’t anything subtle about them.

Named as a memorial for one of Dean Zelinsky’s friends, Matthew Lynn, the ML is the most striking of Dean’s early designs. The ML is a mutant cross between a Flying V and an Explorer that sported a giant “v” shaped headstock that was clearly at odds with what other contemporary builder were making.

For me the other early standout design was the E’lite and it’s upscale brother the Cadillac. The E’lite /Cadillac was a riff the classic Les Paul design but had a more aggressive lower bout, an angular upper bout and the massive f* you Dean headstock.

It would be one thing if these guitars were all show but no go but Zelinsky’s guitars used classic building techniques such as high quality tone woods, long tenon neck joints, and high quality hardware and electronics.

While Dean did catch some flack during his early days for using some highly suggestive ad campaigns that featured scantily clad bikini models this approach worked and eventually his guitars found their way into the hands of high-profile players including one Randy Rhodes.

As Dean’s profile rose demand eventually outstripped the small company’s ability to keep up with demand so as was with the case of B.C. Rich Dean started importing lower price point versions of their guitars from the Far East.

In 1991 Zelinsky sold his company in order to spend time with his wife and family.

Nine years later Zelinsky returned to Dean as a consultant and was involved with marketing, US production, guitar design and artist relations.
By 2008 Zelinsky had left Dean for the final time only to start DBZ Guitars and in 2012 Zelinsky formed Dean Zelinsky Private Label. While Dean’s current guitars are considerably more subdued than his previous designs it’s any one’s guess how resonant players will find them.

Love them or hate them Dean Guitars are a uniquely American guitar, loud, obnoxious, outrageous and very rock ‘n’ roll.

For more of what Dean Zelinsky has been up to check out:

https://deanzelinsky.com

For people who are more interested in more “Dean” like guitar check out

http://www.deanguitars.com
http://www.guitarsbydiamond.com

For more on Gary and the guitar giveaway go to- http://garyhoey.com